{"id":11006,"date":"2026-02-06T12:41:00","date_gmt":"2026-02-06T12:41:00","guid":{"rendered":"https:\/\/mollekuqja.mk\/?p=11006"},"modified":"2026-02-06T13:06:02","modified_gmt":"2026-02-06T13:06:02","slug":"duke-menduar-per-ty-alketa-xhafa-mripa-dhe-arti-i-kujteses-se-grave-ne-lufte","status":"publish","type":"post","link":"https:\/\/mollekuqja.mk\/en\/duke-menduar-per-ty-alketa-xhafa-mripa-dhe-arti-i-kujteses-se-grave-ne-lufte\/","title":{"rendered":"Thinking of You: Alketa Xhafa Mripa and the Art of Remembering Women in War"},"content":{"rendered":"

Post-war memory is never neutral. In the Balkans, the wars of the 1990s left deep wounds, not only in the lives of those who experienced them, but also in the ways societies remember or choose to forget their past. In many post-war states, official memorials often focus on male soldiers, heroic sacrifice, and ethnically defined victimhood, leaving women\u2019s experiences largely invisible.<\/span><\/p>\n

However, women have consistently challenged this silence. Through various forms of activism, they have transformed memory into a tool of resistance. They have reclaimed public spaces, reshaped narratives, and insisted that women\u2019s experiences, especially those of sexual violence, be recognized as a central part of war history.<\/span><\/p>\n

An extraordinary example of this feminist approach to memory is <\/span>Thinking of You,<\/span><\/i>a public art installation from 2015 by Kosovar artist Alketa Xhafa Mripa, created in collaboration with the Kosovo Women\u2019s Network. The project collected more than 5,000 dresses donated by women from across Kosovo, each representing a survivor of sexual violence during the war. These dresses were installed in the national football stadium in Prishtina, transforming a space traditionally associated with celebration and masculinity into a site of remembrance, solidarity, and visibility.<\/span><\/p>\n

By occupying the national stadium, <\/span>Thinking of You,<\/span><\/i> Thinking of You delivered a powerful message: women\u2019s stories must be at the center of national memory. The installation was not merely a symbolic gesture, but also an act of civic participation. Thousands of women contributed their garments, each carrying personal meaning, some accompanied by handwritten notes such as \u201cThis skirt hid a story for fifteen years.\u201d Through this process, the boundary between artist, activist, and public dissolved, creating a shared memorial where individual grief became collective recognition.<\/span><\/p>\n

For the artist, the project was about giving voice to victims of sexual violence without re-traumatizing them. She stated, \u201cI wanted to give visibility to those women who had been silenced for so long, to bring into the open what society wanted to hide.\u201d The installation attracted national and international attention, highlighting a group whose suffering had long been marginalized in Kosovo\u2019s collective memory.<\/span><\/p>\n

Thinking of You,<\/span><\/i> challenged entrenched hierarchies of remembrance. Dominant post-war narratives in Kosovo centered on male fighters and heroic sacrifice, leaving women survivors in the shadows. By filling a football stadium with thousands of dresses, Xhafa Mripa reshaped the geography of memory, placed women\u2019s experiences at the center, and demanded that survivors of sexual violence be included in the country\u2019s collective history.\u00a0<\/span><\/p>\n

The impact of the project extended beyond Kosovo. It has been restaged in various parts of the world, including The Hague and Strasbourg, linking local silence to global campaigns against sexual violence in conflict. These restagings demonstrate the adaptability of symbolic art as a tool for recognition where formal mechanisms often fail.<\/span><\/p>\n

In a region where the memory of war is often selective and women\u2019s experiences have been marginalized or instrumentalized, <\/span>Thinking of You,<\/span><\/i> offers an alternative. It shows that remembering can be an act of resistance, solidarity, and transformation. Through her work, Alketa Xhafa Mripa reminds us that women are not only survivors, but also active shapers of memory and calls for justice.<\/span><\/p>\n

This material is completely or partly financed by UK International Development and The Kvinna till Kvinna Foundation, that do not necessarily agree with the opinions expressed within. The author alone is responsible for the content.<\/em><\/strong><\/h5>","protected":false},"excerpt":{"rendered":"

Kujtesa pas luft\u00ebs nuk \u00ebsht\u00eb kurr\u00eb neutrale. N\u00eb Ballkan, luft\u00ebrat e viteve 1990 lan\u00eb plag\u00eb t\u00eb thella, jo vet\u00ebm n\u00eb jet\u00ebt e atyre q\u00eb i p\u00ebrjetuan, por edhe n\u00eb m\u00ebnyr\u00ebn se si shoq\u00ebrit\u00eb kujtojn\u00eb ose zgjedhin t\u00eb harrojn\u00eb t\u00eb kaluar\u00ebn e tyre. N\u00eb shum\u00eb shtete pas-luft\u00ebs, memorialet zyrtare shpesh fokusohen tek ushtar\u00ebt meshkuj, sakrifica heroike […]<\/p>\n","protected":false},"author":28,"featured_media":11009,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[341],"tags":[11,386],"class_list":["post-11006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pikepamje","tag-dhune","tag-dhune-seksuale"],"yoast_head":"\nDuke Menduar P\u00ebr Ty: Alketa Xhafa Mripa dhe arti i kujtes\u00ebs s\u00eb grave n\u00eb Luft\u00eb - Moll\u00ebkuqja<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mollekuqja.mk\/en\/duke-menduar-per-ty-alketa-xhafa-mripa-dhe-arti-i-kujteses-se-grave-ne-lufte\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Duke Menduar P\u00ebr Ty: Alketa Xhafa Mripa dhe arti i kujtes\u00ebs s\u00eb grave n\u00eb Luft\u00eb - Moll\u00ebkuqja\" \/>\n<meta property=\"og:description\" content=\"Kujtesa pas luft\u00ebs nuk \u00ebsht\u00eb kurr\u00eb neutrale. 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