{"id":10420,"date":"2021-10-06T13:02:57","date_gmt":"2021-10-06T13:02:57","guid":{"rendered":"https:\/\/mollekuqja.mk\/?p=10420"},"modified":"2025-02-27T13:05:14","modified_gmt":"2025-02-27T13:05:14","slug":"nuk-e-dija-ne-doja-te-martohesha-apo-jo-por-kjo-ishte-dicka-qe-te-gjithe-e-benin","status":"publish","type":"post","link":"https:\/\/mollekuqja.mk\/en\/nuk-e-dija-ne-doja-te-martohesha-apo-jo-por-kjo-ishte-dicka-qe-te-gjithe-e-benin\/","title":{"rendered":"“Nuk e dija n\u00eb doja t\u00eb martohesha apo jo, por kjo ishte di\u00e7ka q\u00eb t\u00eb gjith\u00eb e b\u00ebnin”"},"content":{"rendered":"

Nuk e dija n\u00eb doja t\u00eb martohesha apo jo, por kjo ishte di\u00e7ka q\u00eb t\u00eb gjith\u00eb e b\u00ebnin!<\/em><\/p>\n

*SPOILER!<\/p>\n

Koha si nj\u00ebsi mat\u00ebse p\u00ebrve\u00e7 se \u00ebsht\u00eb nj\u00eb koncept i r\u00ebnd\u00ebsish\u00ebm n\u00eb studimet e matematik\u00ebs dhe fizik\u00ebs, ajo gjithashtu p\u00ebrgjat\u00eb historis\u00eb ka qen\u00eb dhe \u00ebsht\u00eb nj\u00eb nga fushat e interesit t\u00eb filozofis\u00eb.\u00a0\u00a0N\u00eb filozofi koha shihet si nj\u00eb koncept relativ. Sipas Aristotelit, koha \u00ebsht\u00eb prudukt i l\u00ebvizjes. N\u00eb nj\u00eb m\u00ebnyr\u00eb apo tjetr\u00ebn\u00a0koha reale nuk mund t\u00eb nd\u00ebrpritet, p\u00ebrs\u00ebritet apo t\u00eb kthehet pas. N\u00eb var\u00ebsi t\u00eb historis\u00eb dhe kahjes q\u00eb do t\u00eb marr\u00eb historia e treguar, me ndihm\u00ebn e editimit, n\u00eb kinematografi u krijua e ashtuquajtura \u201ckoha kinematografike\u201d e cila mund t\u2019i b\u00ebj\u00eb k\u00ebto t\u00eb fundit. E krijuar fillimisht p\u00ebr t\u00eb mos \u201cm\u00ebrzitur\u201d shikuesit me \u00e7do detaj t\u00eb \u00e7do l\u00ebvizjeje t\u00eb \u00e7do karakteri dhe p\u00ebr t\u00eb ofruar koncentrim m\u00eb t\u00eb leht\u00eb n\u00eb thelbin e asaj q\u00eb regjisori do t\u00eb tregoj\u00eb, (pik\u00ebrisht p\u00ebr t\u2019i dh\u00ebn\u00eb gjith\u00eb fokusin historis\u00eb) koha kinematografike do t\u00eb humbiste magjin\u00eb dhe fuqin\u00eb e vet n\u00eb filmin \u201cJeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles\u201d t\u00eb regjisores belge Chantal Akerman.<\/p>\n

Filmi \u201cJeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles\u201d i vitit 1976, b\u00ebri q\u00eb regjisorja vet\u00ebm 25 vje\u00e7are t\u00eb njihet nd\u00ebrkomb\u00ebtarisht. Ndyshe nga \u00e7do film i saj i m\u00ebparsh\u00ebm, ky film p\u00ebrcillet me nj\u00eb kamer\u00eb statike dhe pothuajse pa dialogje. Heshtja dhe monotonia e karakterit kryesor n\u00eb film b\u00ebn\u00eb q\u00eb ne fare leht\u00eb t\u00eb mish\u00ebrohemi me t\u00eb. Filmi tregon tre dit\u00ebt e Jeanne Delman-it (Delphine Seyrig),\u00a0\u00a0nj\u00eb gruajeje t\u00eb ve rreth t\u00eb dyzetave, n\u00ebn\u00eb e nj\u00eb djali adoleshent, e cila \u00e7do dit\u00eb pune nga ora 5 deri n\u00eb 5 e tridhjet\u00eb pret nj\u00eb burr\u00eb n\u00eb sht\u00ebpin\u00eb e saj p\u00ebr t\u00eb prostituar veten. Mes t\u00eb tjerash n\u00eb film, nga letra q\u00eb e motra i d\u00ebrgon, kuptojm\u00eb q\u00eb rrethina e karakterit kryesor k\u00ebrkon q\u00eb ajo t\u00eb martohet s\u00ebrish. Me kamer\u00ebn q\u00eb zakonisht \u00ebsht\u00eb e vendosur n\u00eb at\u00eb pozicion q\u00eb t\u00eb l\u00eb t\u00eb shoh\u00ebsh gjith\u00eb dekorin dhe karakterin n\u00eb mes, p\u00ebr t\u00eb l\u00ebn\u00eb t\u00eb ndjekesh me v\u00ebmendje \u00e7do l\u00ebvizje t\u00eb karakterit por edhe p\u00ebr ta theksuar vetmin\u00eb e saj, shikuesi \u201cvler\u00ebson\u201d pun\u00ebt e sht\u00ebpis\u00eb t\u00eb amvises duke pasur mund\u00ebsi t\u2019i ndjek\u00eb pand\u00ebrprerje nga fillimi deri n\u00eb fund.\u00a0Ashtu si titulli, filmi \u00ebsht\u00eb i gjat\u00eb 201 minuta por p\u00ebrkund\u00ebr pritjeve paraprake t\u00eb nj\u00eb shikuesi \u00ebsht\u00eb nj\u00eb film i ngadalsh\u00ebm duke mos treguar jet\u00ebn e ndryshuar t\u00eb Jeanne-s pasi ajo t\u00eb b\u00ebj\u00eb vrasjen por duke treguar tre dit\u00ebt e saj deri n\u00eb momentin kur ajo vret dik\u00eb. Chantal Akerman, e cila tregon se filmin e ka shkruar mbrenda nj\u00eb jave n\u00eb form\u00eb t\u00eb novel\u00ebs, gjithashtu citon se\u00a0\u201cUn\u00eb mendoj se \u00ebsht\u00eb nj\u00eb film feminist sepse u jap hap\u00ebsir\u00eb gj\u00ebrave q\u00eb kurr\u00eb, pothuajse asnj\u00ebher\u00eb m\u00eb par\u00eb s\u2019jan\u00eb shfaqur n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, si gjestet e p\u00ebrditshme t\u00eb nj\u00eb gruaje. K\u00ebto jan\u00eb n\u00eb fund t\u00eb hierarkis\u00eb s\u00eb imazheve t\u00eb filmit. Nj\u00eb puthje ose nj\u00eb aksident me makin\u00eb \u00ebsht\u00eb m\u00eb i r\u00ebnd\u00ebsish\u00ebm se k\u00ebto dhe un\u00eb nuk mendoj se \u00ebsht\u00eb aksidentale. Sepse k\u00ebto jan\u00eb gjestet e nj\u00eb gruaje,\u00a0\u00a0q\u00eb ata i llogarisin si t\u00eb pakta\u201d. Gjithashtu, n\u00eb titrat e filmit v\u00ebrejm\u00eb se 80 p\u00ebrqind i prapasken\u00ebs \u00ebsht\u00eb i mbushur me pun\u00ebtore gra dhe kjo sipas regjisores nuk \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr t\u00eb treguar se shumica jan\u00eb gra por ka qen\u00eb si rebelim i koh\u00ebs n\u00eb t\u00eb cil\u00ebn \u00ebsht\u00eb incizuar filmi p\u00ebr t\u00eb v\u00ebrtetuar se n\u00eb bot\u00ebn e kinemas\u00eb ka gra t\u00eb zonja.<\/p>\n

Ky film flet p\u00ebr nj\u00eb grua t\u00eb ve, t\u00eb neglizhuar dhe pa shoq\u00ebri e cila portretizohet me pun\u00ebt e sht\u00ebpis\u00eb. K\u00ebto pun\u00eb q\u00eb n\u00eb shoq\u00ebri duken shum\u00eb t\u00eb padukshme dhe t\u00eb par\u00ebnd\u00ebsishme, me an\u00eb t\u00eb p\u00ebrzgjedhjes s\u00eb heroin\u00ebs q\u00eb n\u00eb t\u00eb v\u00ebrtet \u00ebsht\u00eb nj\u00eb anti-hero, v\u00ebrehen dhe fitojn\u00eb kuptim. Metafora q\u00eb regjisorja p\u00ebrdor me prostituimin e heroin\u00ebs\u00a0\u00a0dhe p\u00ebrzgjedhja e asaj se shikuesi nuk \u00ebsht\u00eb prezent vet\u00ebm n\u00eb jet\u00ebn seksuale t\u00eb saj por edhe bumerangu q\u00eb regjisorja krijon duke lejuar shikuesin t\u00eb shoh jet\u00ebn seksuale t\u00eb Jeanne-it vet\u00ebm n\u00eb dit\u00ebn e tret\u00eb kur ajo vret partnerin e saj seksual, i jep kuptim t\u00eb t\u00ebr\u00eb pritjes disa or\u00ebshe t\u00eb t\u00eb parit pand\u00ebrprer\u00eb monotonin\u00eb jet\u00ebsore t\u00eb Jeanne-s. \u00cbsht\u00eb fare leht\u00eb ashtu si\u00e7 edhe duket v\u00ebshtir\u00eb i kuptuesh\u00ebm kaosi i brendsh\u00ebm shpirt\u00ebror i karakterit, t\u00eb v\u00ebrehet n\u00ebp\u00ebrmjet l\u00ebvizjeve didakte dhe t\u00eb m\u00ebsuara p\u00ebrmend\u00ebsh t\u00eb saj. Regjizorja nj\u00ebashtu, gjat\u00eb disa skenave p\u00ebrkundrejt mimik\u00ebs s\u00eb pandryshuar t\u00eb Jeanne-it, n\u00ebp\u00ebrmjet dukjes fizike t\u00eb saj, na ofron detaje t\u00eb vogla, si flok\u00ebt ose edhe d\u00ebgjimi i \u201cMoonlight Sonata\u201d apo edhe nj\u00eb or\u00eb koh\u00eb e lir\u00eb (e cila e frik\u00ebson amvisen n\u00eb fjal\u00eb) t\u00eb kuptojm\u00eb luft\u00ebn e brendshme t\u00eb karakterit.<\/p>\n

Filmi nuk ka nj\u00eb fund por \u00ebsht\u00eb shum\u00eb m\u00eb shum\u00eb se aq. \u00cbsht\u00eb nj\u00eb adres\u00eb, nj\u00eb sht\u00ebpi dhe brenda nj\u00eb grua. Nj\u00eb grua e fshehur, e pav\u00ebrejtur por q\u00eb \u00ebsht\u00eb aty: si shum\u00eb gra t\u00eb tjera\u2026 Filmi, \u00ebsht\u00eb pothuajse i pa z\u00eb por b\u00ebrtet me heshtjen e tij. Ai tregon gruan n\u00ebn\u00eb, gruan pun\u00ebtore dhe at\u00eb amvise. Me mosp\u00ebrdorimin e shum\u00eb lokacioneve, duke qen\u00eb shum\u00eb minimalist si n\u00eb ndri\u00e7im, kamer\u00eb dhe personazh,\u00a0\u201cJeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles\u201d\u00a0iu referohet Jeanne-ve duke u fokusuar n\u00eb kaosin mendor dhe shpirt\u00ebror t\u00eb tyre: q\u00eb p\u00ebrgjat\u00eb historis\u00eb madje edhe tani mbeten t\u00eb pa para, t\u00eb pa d\u00ebgjuara, t\u00eb pa kuptuara, t\u00eb pa vler\u00ebsuara dhe t\u00eb l\u00ebna pas dore.<\/p>\n

 <\/p>\n

Shkrimi \u00ebsht\u00eb shkruar ekskluzivisht p\u00ebr\u00a0Moll\u00ebkuqja.mk. T\u00eb drejtat e publikimit i kan\u00eb vet\u00ebm\u00a0Moll\u00ebkuqja.mk dhe autori, sipas marr\u00ebveshjes mes tyre.<\/em><\/strong><\/h5>","protected":false},"excerpt":{"rendered":"

Nuk e dija n\u00eb doja t\u00eb martohesha apo jo, por kjo ishte di\u00e7ka q\u00eb t\u00eb gjith\u00eb e b\u00ebnin! *SPOILER! Koha si nj\u00ebsi mat\u00ebse p\u00ebrve\u00e7 se \u00ebsht\u00eb nj\u00eb koncept i r\u00ebnd\u00ebsish\u00ebm n\u00eb studimet e matematik\u00ebs dhe fizik\u00ebs, ajo gjithashtu p\u00ebrgjat\u00eb historis\u00eb ka qen\u00eb dhe \u00ebsht\u00eb nj\u00eb nga fushat e interesit t\u00eb filozofis\u00eb.\u00a0\u00a0N\u00eb filozofi koha shihet si […]<\/p>\n","protected":false},"author":20,"featured_media":10421,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[56,42],"class_list":["post-10420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feministing","tag-film","tag-gra"],"yoast_head":"\n"Nuk e dija n\u00eb doja t\u00eb martohesha apo jo, por kjo ishte di\u00e7ka q\u00eb t\u00eb gjith\u00eb e b\u00ebnin" - Moll\u00ebkuqja<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mollekuqja.mk\/en\/nuk-e-dija-ne-doja-te-martohesha-apo-jo-por-kjo-ishte-dicka-qe-te-gjithe-e-benin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Nuk e dija n\u00eb doja t\u00eb martohesha apo jo, por kjo ishte di\u00e7ka q\u00eb t\u00eb gjith\u00eb e b\u00ebnin" - Moll\u00ebkuqja\" \/>\n<meta property=\"og:description\" content=\"Nuk e dija n\u00eb doja t\u00eb martohesha apo jo, por kjo ishte di\u00e7ka q\u00eb t\u00eb gjith\u00eb e b\u00ebnin! *SPOILER! 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